Rob Halliday has worked as a lighting designer and lighting programmer for the last fifteen years. His speciality is large scale musicals, though he has also brought the techniques and technology from these shows to productions of all types and scales.

As a lighting designer, his most recent work includes Buried Child and West Side Story at the Leicester Curve, Goodbye Barcelona at the Arcola, Daddy Cool in London and Berlin, and Follies & Tommy at the Royal Academy of Music. The touring production of My Fair Lady, which he designed with Oliver Fenwick and David Hersey in 2005 won the Touring Broadway Award for best production design for its US tour in 2007.

As a lighting programmer, he works on a wide range of shows including the acclaimed new film My Week With Marilyn, and in the theatre Betty Blue Eyes, Billy Elliot, The Children’s Hour, Spelling Bee, Matthew Bourne’s Cinderella, the Tony Award-winning Red in New York, the recent Jude Law Hamlet, the Tony-award nominated and Drama Desk-award winning New York Equus, Les Misérables, Miss Saigon, Oliver!, Mary Poppins, Ragtime, Martin Guerre, Oklahoma!, and many, many more all over the world.

Many of these shows were the most complex of their time, with Mary Poppins still the largest moving light rig on Broadway. He was a pioneer of having one programmer and one console deal with the entire lighting rig.

He is led by a love of theatre and of new challenges, 'showbiz is my life' the quip he uses to explain why he's spent so much time in darkened theatre auditoria!

Rob also writes about lighting and technical production for publications including Lighting & Sound International, Lighting & Sound America, Lighting Dimensions, Entertainment Design, and others. The best of these articles have been collected into two books, Entertainment In Production vol 1 (1994-1999) and vol 2 (2000-2006), available now from ET Books and other good booksellers, in electronic form for the Kindle and iPad, or read more here.

Rob also runs lectures or workshops at trade shows including PLASA and LDI, and at drama colleges including LAMDA, Guildhall, Central, NIDA, RADA and the Hong Kong Academy for Performing Arts.