"I love that moment in tech when you're in the auditorium and the cast and orchestra are on stage in front of you, performing the show seemingly just for you. How fabulous is that? What better job could there be?"
Rob Halliday has worked as a lighting designer and
lighting programmer for the last twenty years. His
speciality is large scale musicals, though he has also
brought the techniques and technology from these shows
to productions of all types and scales.
As a lighting designer, his
most recent work includes Hello Dolly and
Buried Child at the Leicester Curve,
Goodbye Barcelona at the Arcola, Daddy
Cool in London and Berlin, and Promises,
Promises & The Pajama Game at the
Royal Academy of Music. The touring production of
My Fair Lady, which he designed with Oliver
Fenwick and David Hersey in 2005 won the Touring Broadway Award for best
production design for its US tour in 2007.
As a lighting programmer
- a job title he was probably the first to coin - he
works on a wide range of shows including the
acclaimed film My Week With Marilyn, and in
the theatre Betty Blue Eyes, Billy
Elliot, The Children’s Hour,
Spelling Bee, Matthew Bourne’s
Cinderella, the hit revival of
Evita and the Tony Award-winning
Red in New York, the recent Jude Law
Hamlet, the Tony-award nominated and Drama
Desk-award winning New York Equus, Les
Misérables, Miss Saigon,
Oliver!, Mary Poppins,
Ragtime, Martin Guerre, Oklahoma!,
and many, many more all over the world.
Many of these shows were the most complex of their
time, with Mary Poppins still the largest rig
on Broadway controlled from a single console. He was a
pioneer of having one programmer and one console deal
with the entire lighting rig.
He is led by a love of theatre and of new challenges,
'showbiz is my life' the quip he uses to explain why
he's spent so much time in darkened theatre auditoria!
Rob also writes about lighting and technical production
for publications including Lighting & Sound
International, Lighting & Sound
America, Lighting Dimensions,
Entertainment Design, and others. The best of
these articles have been collected into two books,
Entertainment In Production vol 1 (1994-1999)
and vol 2 (2000-2006), available now from ET Books and other good booksellers,
in electronic form for the Kindle and iPad, or read more here.
Rob also runs lectures or workshops at trade shows
including PLASA and LDI, and at drama colleges
including LAMDA, Guildhall, Central, NIDA, RADA, Rose
Bruford and the Hong Kong Academy for Performing Arts.


