A Possibility
       
     
 “The performance/artwork, one of the most peculiar and extraordinary of this MIF25, blends sound and vision, on a quest to explore new connections between visual arts and architecture and to create inspiring immersive experiences.  “With A Possibili
       
     
 “The houselights dim and rise in waves, drawing attention away from the empty stage and into the large auditorium. A rectangle the size and shape of a cinema screen flickers like a film strip, recalling the black and white bars of Lis Rhodes’s
       
     
 “Plunged into darkness for the most part, we had for some time been almost hypnotised by a series of almost living,breathing shadows and shapes, pulsating, fading in and out, some monolithic, some seemingly suspended and static; a foreign object who
       
     
03. MIF25 Germaine Kruip - A Possibility credit Duncan Elliott_105.jpg
       
     
05. MIF25 Germaine Kruip - A Possibility credit Duncan Elliott_134.jpg
       
     
A Possibility
       
     
A Possibility

Director: Germaine Kruip

Musical Director: Hahn Rowe

Composers: Emily Howard and Hahn Rowe

Dramaturg: Bart van den Eynde

Lighting Design: Germaine Kruip and Rob Halliday

Assistant Director: Maxime Fauconnier

Producer: Manchester International Festival

Royal Northern College of Music, Manchester

Photographer: Duncan Elliott

 “The performance/artwork, one of the most peculiar and extraordinary of this MIF25, blends sound and vision, on a quest to explore new connections between visual arts and architecture and to create inspiring immersive experiences.  “With A Possibili
       
     

“The performance/artwork, one of the most peculiar and extraordinary of this MIF25, blends sound and vision, on a quest to explore new connections between visual arts and architecture and to create inspiring immersive experiences.

“With A Possibility, Kruip continues her quest to explore both individual and collective perception, creating a liminal space to meditate, experiment with our senses and mind, and push the boundaries of art as we know it. The result of this experiment is a majestic artwork, where light itself becomes one of the main characters, and amalgamates with talented performers and composers to create a magical and ethereal experience.”

I Love Manchester.com

 “The houselights dim and rise in waves, drawing attention away from the empty stage and into the large auditorium. A rectangle the size and shape of a cinema screen flickers like a film strip, recalling the black and white bars of Lis Rhodes’s
       
     

“The houselights dim and rise in waves, drawing attention away from the empty stage and into the large auditorium. A rectangle the size and shape of a cinema screen flickers like a film strip, recalling the black and white bars of Lis Rhodes’s seminal Light Music(1975), a work that invited the audience to become performers in a refigured, participatory cinema. As the speakers blast foghornlike drones, a tremulous disc of light is overlaid with wavering shadows until it resembles mist rolling across a full moon, conjuring the gothic imagery of phantasmagoria, cinema’s haunted precursor. When a blinding flash engulfs the theatre, the audience lets out a collective gasp.

“Using a limited arsenal of materials, A Possibility openly draws from histories of experimental cinema in order to reconsider the space of the theatre from the ground up.”

Art Review

 “Plunged into darkness for the most part, we had for some time been almost hypnotised by a series of almost living,breathing shadows and shapes, pulsating, fading in and out, some monolithic, some seemingly suspended and static; a foreign object who
       
     

“Plunged into darkness for the most part, we had for some time been almost hypnotised by a series of almost living,breathing shadows and shapes, pulsating, fading in and out, some monolithic, some seemingly suspended and static; a foreign object whose very presence delivered a sense of unease and foreboding.

“It’s a rare moment to be devoid of light pollution and unsurprisingly unsettling, given the vulnerability it instils within us.”

Honorary Manc Blog.com

03. MIF25 Germaine Kruip - A Possibility credit Duncan Elliott_105.jpg
       
     
05. MIF25 Germaine Kruip - A Possibility credit Duncan Elliott_134.jpg