Rob has been working with Rick Fisher once again, this time on the new production of the musical Man of La Mancha at the London Coliseum.
Produced by Michael Grade and Michael Linnit with English National Opera, the show follows on from the success of their earlier collaborations on Sweeney Todd, Sunset Boulevard and Chess. Rarely seen in the UK since its 1969 West End debut, this new production is directed by Lonny Price, choreographed by Rebecca Howell, designed by James Noone, with costume design by Fontini Dimou, sound design by Mick Potter and lighting by Rick Fisher. Kelsey Grammar plays the lead role, alongside opera star Danielle deNiese, Nicholas Lyndhurst and Peter Polycarpou.
La Mancha continues the collaboration between Rick and Rob that includes productions of Billy Elliot in the US, Holland, Japan and touring the UK, Mata Hari in Japan and Consent in London, with Rob acting as the associate lighting designer and lighting programmer.
Careful planning was required to work around James Noone’s complex set, and to combine elements of ENO’s lighting rig with additional elements, particularly a complex wrap-around cyclorama lit by a combination of Robert Juliat Dalis and ChromaQ ColorForce LED fixtures. The rig also made use of Vari-Lite VL3500 Spot, Martin TW1 and PRG Icon Stage lighting fixtures, as well as Clay Paky’s Axcor Beam300 ‘LED Sharpy’ used to dramatic effect in the show’s Knight of the Mirrors sequence. Lighting equipment for the show was supplied by White Light, PRG and TSL.
Rob worked alongside ENO lighting supervisor Ian Jackson-French and senior lighting technician Adrian Plaut and the ENO lighting team plus production electrician John Delaney and production manager Patrick Molony to deliver the show on a tight schedule.
Man of La Mancha runs until June 8th at the London Coliseum.
Man of La Mancha [link]