Another Chance To See Tree of Codes

Turns out, Aarhus wasn't the last chance to see the remarkable dance show Tree of Codes, on which Rob collaborated with Wayne McGregor, Olafur Eliasson and Jamie xx, originally at the Manchester International Festival and subsequently in New York, Paris, London and Denmark.

The show has another confirmed date, this time in Australia as part of the 2017 Melbourne Festival. 

The show will play at Melbourne's Lyric Theatre from October 17-21st. 

Further details and tickets are available via the Melbourne Festival website [link]

Photographer: Joel Chester Fildes

Billy Japan: Playing Now

Billy Elliot opened in Japan on Tuesday 25th July, to a tremendous reception for what is a really fantastic production of the show.

Rob worked as the Associate Lighting Designer and Lighting Programmer on the show, carrying out all of the pre-production design and planning work, then working with Lighting Designer Rick Fisher in Tokyo to get the show up-and-running. This is the fifth version of Billy Rob has worked on, having also been involved with the last US tour, the London production, the Dutch production and the UK tour, which recently ended a hugely successful year with a short season in Hamburg.

The Japanese production used a rig evolved from that designed for the UK tour, which replaced all of the traditional Source Four-plus-scroller colour changers with ETC Source Four Series2 Lustr LED fixtures. The Japanese production took another step into the world of LED lighting, with Martin Mac Auras replacing the previous Vari-Lite VL2000 Wash fixtures.

Rob and Rick were supported in Japan by a fantastic lighting team (Oshima-sam, Yuta, Katsu, Miwa, Anarin, Mari, Eiji and Takayama-san), a wonderful stage manager (Toku-san), a great production manager (Kanai-san), the wonderful producing team at HoriPro, and a brilliant translator, the wonderful Sonoko.

Billy Elliot plays at the ACT Theatre in Akasaka, Tokyo, until October before transferring to Osaka for a short season there.

[link]

Storyhouse - And More - In Print

Having been involved with Chester’s Storyhouse for the last three years, firstly as technical advisor for lighting and then as the lighting designer for the opening three shows, Rob has now written about this remarkable new theatre for Light &Sound International magazine, which is available in print or online. [link]

This article its just one of several written by Rob to appear this month. The others are:

• His monthly column in The Stage, this time looking at those who work in the entertainment world might find their jobs are safe from being replaced by the rise of technology. [link]
   
• Classic Gear, in LSi, this month featuring the irrepressible Henry Hoover.


• Tools from Beyond, also in LSi, this month featuring the clever transcription service Trint. [link]

Heading East...

With Storyhouse successfully open and its first three shows up and running, Rob has now headed east, to Tokyo, for the new Japanese production of Billy Elliot.

Rob is the Associate Lighting Designer and Lighting Programmer for the show, working alongside Lighting Designer Rick Fisher. Rob has previously served the same role on Billy’s last US tour, the Dutch production, and the current UK tour which is about to set off to Germany to play a season in Hamburg. He also adapted the original production from Strand to ETC lighting control during its long run in London.

Produced by HoriPro, Billy Elliot opens at the Akasaka ACT Theatre in Tokyo in late July and plays there until the autumn before transferring to Osaka. 

[link]

Show Three at Storyhouse

Rob returns this week to Storyhouse in Chester, to light the third show of the opening season - A Midsummer Night’s Dream.

The show is directed by Storyhouse’s Artistic Director, Alex Clifton, and designed by Jess Curtis, continuing the collaboration from the theatre’s opening show, The Beggar’s Opera; that show continues as part of what will soon be a four show rep season.

Rob also lit the second show in the season, Alice in Wonderland, and is delighted to be part of the hugely successful opening of this exciting new theatre.

[Storyhouse]

Speaking At Showlight

Rob will be speaking at Showlight, the quadrennial international event for those fascinated by lighting to get together with others fascinated by lighting to talk about... lighting!

Rob’s talk is entitled ‘Warm Velvety Darkness to Spinning Dichroic Discs’, and is a reflection on the process of creating the dance show Tree of Codes, working alongside the visual artist Olafur Eliasson and director/choreaographer Wayne McGregor.

Rob is just one of a list of remarkable speakers covering an enormous range of subjects: more details of the talks can be found here.

Rob last spoke at Showlight in 2009; highlights of that talk can be found here.

Tickets are still available for this year’s Showlight, which takes place in Florence, Italy, from May 20-23rd, and looks set to continue Showlight’s reputation for providing a fantastic, convivial few days of socialising, learning, eating, drinking, and generally having a good time.

[Showlight]

Tree of Codes: Coming to Denmark

The wonderful Tree of Codes is coming to Denmark.

It'll be at the Musikhuset, Aarhus from April 27th to May 1st - the last date an extra show added because of the overwhelming demand for tickets - following on from its appearances in Paris and London earlier in the year.

[link]

Writing, March-April 2017

Recently published articles by Rob include:

Four pieces in LSi:

• A look at the lighting upgrades to An Inspector Calls to mark its 25th anniversary, including a great deal of fascinating insight from lighting designer Rick Fisher
• A visit to the LED by Theatre event, which saw lighting manufacturer Robe supporting a student production at the Guildford School of Acting as a way of showing how their LED fixtures can be put to use lighting theatre shows
• Classic Gear, this month covering the seemingly mundane but nonetheless crucial product that is the Hook Clamp.

• Tools from Beyond, looking at a website that makes sure you're paying as little as possible when fuelling your car.

Plus a column in The Stage, remembering Ken Bennett-Hunter, who passed away at the end of March, and from that commenting that we really should work to record the memories of those who helped establish and then shape our industry, before it's too late.